Wynton’s Tune, Serigraph, 30 in. x 22 in., Ltd. Edition 100, 2004.

Faith Ringgold prints are provided by Raven Fine Art Editions of Easton, PA. Produced in collaboration with the renowned master printer Curlee Raven Holton. Ringgold and Holton began working together in 1997 producing over 30 separate editions. Many are included in the permanent collections of museums such as the Metropolitan Museum of Art, Pennsylvania Academy of Fine Art, National Gallery of Art, and the David C. Driskell Center.

Henry Tanner: His Boyhood Dream Comes True, Serigraph, 30 in. x 22 in. framed, Ltd. Edition 100, 2010.

Release, Ink on paper, 22 in. x 30 in. framed, 2/19.

Letting go is very hard to do. The moorings of our temporal life are powerful and seductive. We enter this world with our being defined by external reflections that offer emotional, physical and psychological validation. These experiences often bring with them pleasures and comfort. As our consciousness and understanding of what is essential and needed by us rather than being driven by our selfish wants we become liberated from the tyranny of status and object worship.Releasing things that bind us frees us to accept the frailties and unpredictability of life. The Buddhist saying, have less and have more, have nothing, have everything represents the growth and understanding that as we have less possessions we make both physical and spiritual space for a deeper appreciation of what is truly important.

Memories of Two Moons, Ink on paper, 22 in. x 30 in. framed, 8/19.

Memories offer us a way to manage challenges in life that otherwise would render us paralyzed with doubt and anxiety. Memories we possess or those given to us by family members aid us in negotiating new realities with stories of survival and triumph. These memories, often multi-faceted and multi-layered with meaning, provide us with illumination and understanding of the dark waters as they rise to engulf us.

Mors Negra, Acrylic on board, 30 in. x 36 in., 1/19.

Black Death as a natural process however during Codiv it is accelerated. As blacks we are the lease able to protect ourselves , the lease able to have quality health care, the lease able to afford staying alive. Is this the natural order of selection or is it the removal of the weakest?

New Adam & Eve, Acrylic on board, 23 in. x 30 in., 8/21.

Our new world is now perilously close to being poisoned by humans. We have soiled the garden, we have altered natures from our provider to our assaulter. Our air , our water, our lands have been made into corporate enterprises. What was once our bread basket have now become ovens that cook biologically altered artificial ingredients packaged as food. All intimacy is lost and we now express our innermost feelings while wearing a protective gas mask. The purest of nature's embrace embodied by the story of the Garden of Eden and Adam and Eve is perhaps forever lost to us.

Portal, Reeds, plastic, raw silk, cotton, beeswax, 80 in. x 62 in. x 4 in., 2021.

Reconstruction, Reeds, plastics, cotton, raw silk, natural and man made found objects, 75 in. x 42 in. x 4 in.

Pineal Cone, Serigraph, 21 in. x 16.5 in., framed.

Stills, Serigraph, acrylic, 12.5 in. x 29 in.

Unseen, Video loop.

Near-at-Hand #13, Antique wood-handle steel wrenches, dressing table mirrored vanity tableau and stained-glass rondel, 6 in. x 14 in. 2020.

Near-at-Hand #17 , Antique hand drill, brass table lamp base, repurposed meat fork and stained-glass rondels, 20 in. x 12 in. x 5 in., 2021.

Near-at-Hand #16, Antique, handmade wood vice clamps and stained-glass rondels, 22 in. x 9 in. x 9 in., 2021.

Broken, Color pencil and graphite on black fabriano paper, 13 3/4 in. x 18 1/2 in. framed.

I Remember You as You Were, Color pencil and graphite on black fabriano paper, 13 3/4 in. x 18 1/2 in. framed.

The Message, Color pencil and graphite on black fabriano paper, 13 3/4 in. x 18 1/2 in. framed.

Abide (Pinar del Rio, La Habana), Digital video projection on tobacco-stained paper, 2018/2021.

Perseverence (mierda, ya mas nunca se irán), Gold leaf on tobacco-stained paper, 30 in. x 44 in., unframed, 2021.

Baila, Baila! (i know what boys like), Gold leaf on tobacco-stained paper, 30 in. x 44 in., unframed, 2021.

Princesa, Marinero (columna sin fin), Butterflies, inner tube, fishing hook, thread.

Night Angel, mixed media print, 22.5 in. x 15 in. framed.

Artist and Trees, Mixed media prints, 22.5 in. x 15 in. framed.